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Comparison of different microphone positions for orchestra instruments |
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Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course
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The Orchestral Instruments
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Snare Drum 1
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| Prokofiev, Peter and the Wolf Op. 67 a, with Snare |
Snare Drum, Christoph Lindner |
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| from the instrument to mic=265cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 17, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 21 |
Tonmeister, Thorsten Weigelt |
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| Snare Drum 2 |
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| Prokofiev, Peter and the Wolf Op. 67 a, without Snare |
Snare Drum, Christoph Lindner |
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| from the instrument to mic=265cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 17, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 21 |
Tonmeister, Thorsten Weigelt |
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| Snare Drum 3 |
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| Knauer, Etude No 7 |
Snare Drum, Christoph Lindner |
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| from the instrument to mic=265cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 17, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 21 |
Tonmeister, Thorsten Weigelt |
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| Snare Drum 4 |
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| Sounds: Rolls and hits with and without snare |
Snare Drum, Christoph Lindner |
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| from the instrument to mic=265cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 17, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 21 |
Tonmeister, Thorsten Weigelt |
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Copyright ©2018 Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course, Kazuya Nagae
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