Comparison of different microphone positions for orchestra instruments
  Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course
  Universität der Künste BerlinUniversität der Künste Berlin
 
  The Orchestral Instruments

Strings
Woodwind
Brass
Percussion

Violin
Viola
Cello
Contrabass
Flute
Oboe
Clarinet
Bassoon
Horn
Trumpet
Trombone
Tuba
Timpani
Bass Drum
Snare Drum

Contrabass 1 Solo Tuning
 
Mozart, The Marriage of Figaro K.492 Overture Contrabass, Joan Cantallops
from the instrument to mic=250cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeister, Shintaro Sugiura
 
Contrabass 2 Solo Tuning
 
Beethoven Symphony No.9, Op.125, IV, 8- Contrabass, Joan Cantallops
from the instrument to mic=250cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeister, Shintaro Sugiura
 
Contrabass 3 Solo Tuning
 
Schubert, Symphony No. 9 The Great, III Contrabass, Joan Cantallops
from the instrument to mic=250cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeister, Shintaro Sugiura
 
Contrabass 4 Solo Tuning
 
Strauss, A Hero's Life, I- Contrabass, Joan Cantallops
from the instrument to mic=250cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeister, Shintaro Sugiura
 
Contrabass Solo Solo Tuning
 
Johann Baptist Vanhal, Double Bass Concerto Contrabass, Joan Cantallops
from the instrument to mic=250cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeister, Shintaro Sugiura
 


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