Comparison of different microphone positions for orchestra instruments : Contra Bass

Comparison of different microphone positions for orchestra instruments

	Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course

The Orchestral Instruments

	Strings	Woodwind	Brass	Percussion
	Violin Viola Cello Contrabass	Flute Oboe Clarinet Bassoon	Horn Trumpet Trombone Tuba	Timpani Bass Drum Snare Drum

Contrabass 1 Solo Tuning
Mozart, The Marriage of Figaro K.492 Overture	Contrabass, Joan Cantallops
<table width="994" height="27" border="0" cellpadding="0" cellspacing="0" bgcolor="#FFFFFF"> <tr> <td width="994" height="13" align="left" valign="top"><span class="abc"><span class="abcBig"> Violin 1</span> Mozart, Symphony No. 39 K. 543, Finale<br/> </span></td> </tr> <tr> <td height="14" align="right" valign="top"><span class="abc">Violine, Cathy Heidt, Tonmeisterin, Ellinor Krämer </span></td> </tr> </table>
from the instrument to mic=250cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37	Tonmeister, Shintaro Sugiura

Contrabass 2 Solo Tuning
Beethoven Symphony No.9, Op.125, IV, 8-	Contrabass, Joan Cantallops
<table width="994" height="27" border="0" cellpadding="0" cellspacing="0" bgcolor="#FFFFFF"> <tr> <td width="994" height="13" align="left" valign="top"><span class="abc"><span class="abcBig"> Violin 1</span> Mozart, Symphony No. 39 K. 543, Finale<br/> </span></td> </tr> <tr> <td height="14" align="right" valign="top"><span class="abc">Violine, Cathy Heidt, Tonmeisterin, Ellinor Krämer </span></td> </tr> </table>
from the instrument to mic=250cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37	Tonmeister, Shintaro Sugiura

Contrabass 3 Solo Tuning
Schubert, Symphony No. 9 The Great, III	Contrabass, Joan Cantallops
<table width="994" height="27" border="0" cellpadding="0" cellspacing="0" bgcolor="#FFFFFF"> <tr> <td width="994" height="13" align="left" valign="top"><span class="abc"><span class="abcBig"> Violin 1</span> Mozart, Symphony No. 39 K. 543, Finale<br/> </span></td> </tr> <tr> <td height="14" align="right" valign="top"><span class="abc">Violine, Cathy Heidt, Tonmeisterin, Ellinor Krämer </span></td> </tr> </table>
from the instrument to mic=250cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37	Tonmeister, Shintaro Sugiura

Contrabass 4 Solo Tuning
Strauss, A Hero's Life, I-	Contrabass, Joan Cantallops
<table width="994" height="27" border="0" cellpadding="0" cellspacing="0" bgcolor="#FFFFFF"> <tr> <td width="994" height="13" align="left" valign="top"><span class="abc"><span class="abcBig"> Violin 1</span> Mozart, Symphony No. 39 K. 543, Finale<br/> </span></td> </tr> <tr> <td height="14" align="right" valign="top"><span class="abc">Violine, Cathy Heidt, Tonmeisterin, Ellinor Krämer </span></td> </tr> </table>
from the instrument to mic=250cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37	Tonmeister, Shintaro Sugiura

Contrabass Solo Solo Tuning
Johann Baptist Vanhal, Double Bass Concerto	Contrabass, Joan Cantallops
<table width="994" height="27" border="0" cellpadding="0" cellspacing="0" bgcolor="#FFFFFF"> <tr> <td width="994" height="13" align="left" valign="top"><span class="abc"><span class="abcBig"> Violin 1</span> Mozart, Symphony No. 39 K. 543, Finale<br/> </span></td> </tr> <tr> <td height="14" align="right" valign="top"><span class="abc">Violine, Cathy Heidt, Tonmeisterin, Ellinor Krämer </span></td> </tr> </table>
from the instrument to mic=250cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37	Tonmeister, Shintaro Sugiura

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