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Comparison of different microphone positions for orchestra instruments |
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Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course
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The Orchestral Instruments
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Cello 1
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Brahms, Symphony No.2, Op.73-II |
Cello, Yeo-Rhim Yoon |
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from the instrument to mic=208cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Jonas Pohl |
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Cello 2
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Mendelssohn, A Midsummer Night's Dream, C |
Cello, Yeo-Rhim Yoon |
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from the instrument to mic=208cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Jonas Pohl |
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Cello 3
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Britten, Peter Grimes IV Storm |
Cello, Yeo-Rhim Yoon |
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from the instrument to mic=208cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Jonas Pohl |
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Cello 4
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Rossini, Wilhelm Tell Overture |
Cello, Yeo-Rhim Yoon |
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from the instrument to mic=208cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Jonas Pohl |
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Cello Solo
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Bach, Cello Suite No.5 in C minor, BWV 1011 |
Cello, Yeo-Rhim Yoon |
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from the instrument to mic=208cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Jonas Pohl |
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Copyright ©2018 Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course, Kazuya Nagae
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