The comparison of microphone arrangements about orchestral instruments
  Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course
  Universität der Künste BerlinUniversität der Künste Berlin
 
  The Orchestral Instruments

Strings
Woodwind
Brass
Percussion

Violin
Viola
Cello
Contrabass
Flute
Oboe
Clarinet
Bassoon
Horn
Trumpet
Trombone
Tuba
Timpani
Bass Drum
Snare Drum

Bassoon 1
 
Beethoven, Symphony No. 4 Op. 60, IV, 184- Bassoon, Chienwei Wui
from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeister, Shintaro Sugirra
 
Bassoon 2  
Mozart, The Marriage of Figaro, Overture Bassoon, Chienwei Wu
from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeister, Shintaro Sugirra
 
Bassoon 3  
Ravel, Boléro, 2- Bassoon, Chienwei Wui
from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeister, Shintaro Sugirra
 
Bassoon 4  
Tchaikovsky, Symphony No. 4 Op. 36, II, 274- Bassoon, Chienwei Wui
from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeister, Shintaro Sugirra
 
Bassoon Solo
 
Bach, Partita a-Moll, BWV 1013 Bassoon, Chienwei Wui
from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeister, Shintaro Sugirra
 


  Copyright ©2018 Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course, Kazuya Nagae
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