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Comparison of different microphone positions for orchestra instruments |
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Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course
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The Orchestral Instruments
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Bassoon 1
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Beethoven, Symphony No. 4 Op. 60, IV, 184- |
Bassoon, Chienwei Wui |
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from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Shintaro Sugirra |
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Bassoon 2 |
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Mozart, The Marriage of Figaro, Overture |
Bassoon, Chienwei Wu |
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from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Shintaro Sugirra |
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Bassoon 3 |
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Ravel, Boléro, 2- |
Bassoon, Chienwei Wui |
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from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Shintaro Sugirra |
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Bassoon 4 |
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Tchaikovsky, Symphony No. 4 Op. 36, II, 274- |
Bassoon, Chienwei Wui |
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from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Shintaro Sugirra |
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Bassoon Solo
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Bach, Partita a-Moll, BWV 1013 |
Bassoon, Chienwei Wui |
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from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Shintaro Sugirra |
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Copyright ©2018 Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course, Kazuya Nagae
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