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Comparison of different microphone positions for orchestra instruments |
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Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course
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The Orchestral Instruments
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Timpani 1
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No1: Timpano Solo, Next one: Timpani 1 and so on
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Timpani, Christoph Lindner |
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from the instrument to mic=265cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 17, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 21 |
Tonmeister, Thorsten Weigelt |
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Timpani 2
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Strauss, Burleske in d minor for piano and orchestra |
Timpani, Christoph Lindner |
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from the instrument to mic=265cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 17, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 21 |
Tonmeister, Thorsten Weigelt |
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Timpani 3 |
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Krüger, Timpani Etude No. 45 |
Timpani, Christoph Lindner |
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from the instrument to mic=265cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 17, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 21 |
Tonmeister, Thorsten Weigelt |
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Timpani 4 |
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Beethoven, Symphony No. 9 Op. 125, 513- |
Timpani, Christoph Lindner |
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from the instrument to mic=265cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 17, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 21 |
Tonmeister, Thorsten Weigelt |
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Copyright ©2018 Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course, Kazuya Nagae
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