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Comparison of different microphone positions for orchestra instruments |
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Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course
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The Orchestral instruments
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Violin 1
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Mozart, Symphony No. 39 K. 543, Finale |
Violin, Cathy Heidt |
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from the instrument to mic=248cm, AB : DPA 4006 AB 50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeisterin, Ellinor Krämer |
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Violin 2
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Strauss, Don Juan, Op.20 |
Violin, Cathy Heidt |
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from the instrument to mic=248cm, AB : DPA 4006 AB 50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeisterin, Ellinor Krämer |
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Violin 3
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Brahms, Symphony No.4, Op.98 |
Violin, Cathy Heidt |
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from the instrument to mic=248cm, AB : DPA 4006 AB 50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeisterin, Ellinor Krämer |
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Violin 4
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Mendelssohn, A Midsummer Night's Dream, Scherzo |
Violin, Cathy Heidt |
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from the instrument to mic=248cm, AB : DPA 4006 AB 50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeisterin, Ellinor Krämer |
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Violin Solo
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Bach, Sonata II BWV 1003, 3 Andante |
Violin, Cathy Heidt |
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from the instrument to mic=248cm, AB : DPA 4006 AB 50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeisterin, Ellinor Krämer |
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Copyright ©2018 Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course, Kazuya Nagae
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