Comparison of different microphone positions for orchestra instruments
  Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course
  Universität der Künste BerlinUniversität der Künste Berlin
 
  The Orchestral instruments

Strings
Woodwind
Brass
Percussion

Violin
Viola
Cello
Contrabass
Flute
Oboe
Clarinet
Bassoon
Horn
Trumpet
Trombone
Tuba
Timpani
Bass Drum
Snare Drum

Violin 1
 
Mozart, Symphony No. 39 K. 543, Finale Violin, Cathy Heidt
from the instrument to mic=248cm, AB : DPA 4006 AB 50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeisterin, Ellinor Krämer
 
Violin 2
 
Strauss, Don Juan, Op.20 Violin, Cathy Heidt
from the instrument to mic=248cm, AB : DPA 4006 AB 50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeisterin, Ellinor Krämer
 
Violin 3
 
Brahms, Symphony No.4, Op.98 Violin, Cathy Heidt
from the instrument to mic=248cm, AB : DPA 4006 AB 50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeisterin, Ellinor Krämer
 
Violin 4
 
Mendelssohn, A Midsummer Night's Dream, Scherzo Violin, Cathy Heidt
from the instrument to mic=248cm, AB : DPA 4006 AB 50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeisterin, Ellinor Krämer
 
Violin Solo
 
Bach, Sonata II BWV 1003, 3 Andante Violin, Cathy Heidt
from the instrument to mic=248cm, AB : DPA 4006 AB 50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeisterin, Ellinor Krämer
 


  Copyright ©2018 Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course, Kazuya Nagae
  Top page