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Comparison of different microphone positions for orchestra instruments |
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Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course
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The Orchestral Instruments
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Horn 1
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Beethoven, Symphony No. 3 Op. 55, III, |
Horn, Rakel Björt Helgadóttir |
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from the instrument to mic=226cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Thorsten Weigelt |
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Horn 2 |
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Brahms, Symphony No. 2 Op. 73, I, |
Horn, Rakel Björt Helgadóttir |
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from the instrument to mic=226cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Thorsten Weigelt |
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Horn 3 |
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Mendelssohn, Symphony No.3, Op.56, 3rd Hn |
Horn, Rakel Björt Helgadóttir |
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from the instrument to mic=226cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Thorsten Weigelt |
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Horn 4 |
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Wagner, Lohengrin, Introduction of Act 3 |
Horn, Rakel Björt Helgadóttir |
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from the instrument to mic=226cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Thorsten Weigelt |
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Horn with Gestopft 1 |
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Mahler, Symphony No.9, I, Andante Comodo- |
Horn, Rakel Björt Helgadóttir |
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from the instrument to mic=226cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Thorsten Weigelt |
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Horn with Gestopft 2 |
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Shostakovich, Symphony No. 5 Op. 47, I, |
Horn, Rakel Björt Helgadóttir |
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from the instrument to mic=226cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Thorsten Weigelt |
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Horn Solo
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Bach Cello suite V. Gigue |
Horn, Rakel Björt Helgadóttir |
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from the instrument to mic=226cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Thorsten Weigelt |
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Copyright ©2018 Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course, Kazuya Nagae
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