|
Comparison of different microphone positions for orchestra instruments |
|
Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course
|
|
|
|
|
The Orchestral Instruments
|
Tuba B flat 1
|
|
Sergei Prokofiev, Symphony No.5, Op.100, I |
Tuba, Jörgen Roggenkamp |
|
from the instrument to mic=226cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 27, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 31 |
Tonmeister, Thorsten Weigelt |
|
Tuba B flat 2 |
|
Bruckner, Symphony No. 7, I, 235- |
Tuba, Jörgen Roggenkamp |
|
from the instrument to mic=226cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 27, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 31 |
Tonmeister, Thorsten Weigelt |
|
Tuba F 1
|
|
Berlioz,Symphonie Fantastique op. 14, IV, 114- |
Tuba, Jörgen Roggenkamp |
|
from the instrument to mic=226cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 27, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 31 |
Tonmeister, Thorsten Weigelt |
|
Tuba F 2 |
|
Wagner, Overture to "The Master-Singers of Nuremberg" |
Tuba, Jörgen Roggenkamp |
|
from the instrument to mic=226cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 27, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 31 |
Tonmeister, Thorsten Weigelt |
|
Tuba F, Solo
|
|
Ralph Vaughan Williams,Concert for Bass Tuba |
Tuba, Jörgen Roggenkamp |
|
from the instrument to mic=226cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 27, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 31 |
Tonmeister, Thorsten Weigelt |
|
|
|
Copyright ©2018 Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course, Kazuya Nagae
|
|
Top page |
|