Comparison of different microphone positions for orchestra instruments
  Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course
  Universität der Künste BerlinUniversität der Künste Berlin
 
  The Orchestral instruments

Strings
Woodwind
Brass
Percussion

Violin
Viola
Cello
Contrabass
Flute
Oboe
Clarinet
Bassoon
Horn
Trumpet
Trombone
Tuba
Timpani
Bass Drum
Snare Drum

Viola 1
 
Puccini, Manon Lescaut, Act III, Intermezzo, 8- Viola, Laura Holke
from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeister, Joni Saksala
 
Viola 2  
Beethoven, Coriolan, Op.62, Overture, 100- Viola, Laura Holke
from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeister, Joni Saksala
 
Viola 3  
Bruckner, Symphony No.4, II, 51- (con sordino) Viola, Laura Holke
from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeister, Joni Saksala
 
Viola 4  
Mahler, Symphony No.10, I, 14, 5- Viola, Laura Holke
from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeister, Joni Saksala
 
Viola Solo
 
Bach, Cello Suite No.2 in D minor, BWV 1008, Prelude Viola, Laura Holke
from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeister, Joni Saksala
 


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