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Comparison of different microphone positions for orchestra instruments |
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Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course
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The Orchestral instruments
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Viola 1
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Puccini, Manon Lescaut, Act III, Intermezzo, 8- |
Viola, Laura Holke |
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from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Joni Saksala |
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Viola 2 |
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Beethoven, Coriolan, Op.62, Overture, 100- |
Viola, Laura Holke |
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from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Joni Saksala |
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Viola 3 |
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Bruckner, Symphony No.4, II, 51- (con sordino) |
Viola, Laura Holke |
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from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Joni Saksala |
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Viola 4 |
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Mahler, Symphony No.10, I, 14, 5- |
Viola, Laura Holke |
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from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Joni Saksala |
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Viola Solo
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Bach, Cello Suite No.2 in D minor, BWV 1008, Prelude |
Viola, Laura Holke |
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from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Joni Saksala |
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Copyright ©2018 Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course, Kazuya Nagae
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