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Comparison of different microphone positions for orchestra instruments |
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Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course
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The Orchestral Instruments
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Oboe 1
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Strauss, Don Juan, Op.20, L- |
Oboe, Sarah Young |
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from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeisterin, Ellinor Krämer |
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Oboe 2 |
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Brahms, Violin Concerto, Op.77, II, I |
Oboe, Sarah Young |
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from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeisterin, Ellinor Krämer |
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Oboe 3
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Rossini, The Silken Ladder, Overture |
Oboe, Sarah Young |
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from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeisterin, Ellinor Krämer |
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Oboe Solo |
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C.P.E. Bach, Sonata in A minor, Wq. 132 |
Oboe, Sarah Young |
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from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeisterin, Ellinor Krämer |
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English Horn
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Bizet, Carmen, 2 Akt No.16, 89- |
English Horn, Sarah Young |
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from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeisterin, Ellinor Krämer |
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Copyright ©2018 Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course, Kazuya Nagae
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