Comparison of different microphone positions for orchestra instruments
  Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course
  Universität der Künste BerlinUniversität der Künste Berlin
 
  The Orchestral Instruments

Strings
Woodwind
Brass
Percussion

Violin
Viola
Cello
Contrabass
Flute
Oboe
Clarinet
Bassoon
Horn
Trumpet
Trombone
Tuba
Timpani
Bass Drum
Snare Drum

Oboe 1
 
Strauss, Don Juan, Op.20, L- Oboe, Sarah Young
from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeisterin, Ellinor Krämer
 
Oboe 2  
Brahms, Violin Concerto, Op.77, II, I Oboe, Sarah Young
from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeisterin, Ellinor Krämer
 
Oboe 3
 
Rossini, The Silken Ladder, Overture Oboe, Sarah Young
from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeisterin, Ellinor Krämer
 
Oboe Solo  
C.P.E. Bach, Sonata in A minor, Wq. 132 Oboe, Sarah Young
from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeisterin, Ellinor Krämer
 
English Horn
 
Bizet, Carmen, 2 Akt No.16, 89- English Horn, Sarah Young
from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 Tonmeisterin, Ellinor Krämer
 


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